Très Riches Heures du Duc de Berry. (illustrated), by Paul de Limbourg, Jean de Limbourg, Herman de Limbourg
The Très Riches Heures Du Duc De Berry. (illustrated), By Paul De Limbourg, Jean De Limbourg, Herman De Limbourg has the tendency to be fantastic reading book that is easy to understand. This is why this book Très Riches Heures Du Duc De Berry. (illustrated), By Paul De Limbourg, Jean De Limbourg, Herman De Limbourg ends up being a favored book to review. Why do not you want become one of them? You can enjoy checking out Très Riches Heures Du Duc De Berry. (illustrated), By Paul De Limbourg, Jean De Limbourg, Herman De Limbourg while doing other activities. The visibility of the soft file of this book Très Riches Heures Du Duc De Berry. (illustrated), By Paul De Limbourg, Jean De Limbourg, Herman De Limbourg is sort of getting encounter effortlessly. It consists of exactly how you should conserve the book Très Riches Heures Du Duc De Berry. (illustrated), By Paul De Limbourg, Jean De Limbourg, Herman De Limbourg, not in shelves naturally. You could save it in your computer device and device.
Très Riches Heures du Duc de Berry. (illustrated), by Paul de Limbourg, Jean de Limbourg, Herman de Limbourg
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Perfectly scanned copy of original medieval manuscript. The Très Riches Heures du Duc de Berry is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours. It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthélemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy. Acquired by the Duc d'Aumale in 1856, the book is now MS 65 in the Musée Condé, Chantilly, France. Consisting of a total of 206 leaves of very fine quality parchment, 30 cm in height by 21.5 cm in width, the manuscript contains 66 large miniatures and 65 small. The design of the book, which is long and complex, has undergone many changes and reversals. Many artists contributed to its miniatures, calligraphy, initials, and marginal decorations, but determining their precise number and identity remains a matter of debate. Painted largely by artists from the Low Countries, often using rare and costly pigments and gold, and with an unusually large number of illustrations, the book is one of the most lavish late medieval illuminated manuscripts. After three centuries in obscurity, the Très Riches Heures gained wide recognition in the late nineteenth and twentieth centuries, despite having only very limited public exposure at the Musée Condé. Its miniatures helped to shape an ideal image of the Middle Ages in the collective imagination, often being interpreted to serve political and nationalist agendas. This is particularly true for the calendar images, which are the most commonly reproduced. They offer vivid representations of peasants performing agricultural work as well as aristocrats in formal attire, against a background of remarkable medieval architecture. Include a unique illustration!
Très Riches Heures du Duc de Berry. (illustrated), by Paul de Limbourg, Jean de Limbourg, Herman de Limbourg- Amazon Sales Rank: #807367 in eBooks
- Published on: 2015-06-19
- Released on: 2015-06-19
- Format: Kindle eBook
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Most helpful customer reviews
1 of 1 people found the following review helpful. This is simply one of the most beautiful books ever created By JSB_DDS No need to comment on the contents; this is simply one of the most beautiful books ever created. Compared to the flatness of a paper facsimile, the illuminations really jump out on a display. My only niggle is I wish it had been scanned at higher resolution, hence four stars instead of five. On an iPad, you can zoom to about the 1/4-page level before things begin to get fuzzy, so it's not terrible. However, if you want to study the brushwork, or read the tiny script in the January sky, no chance. Still, good value for the price.
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