The Witch of Prague, by F. Marion Crawford
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The Witch of Prague, by F. Marion Crawford
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"A great multitude of people filled the church, crowded together in the old black pews, standing closely thronged in the nave and aisles, pressing shoulder to shoulder even in the two chapels on the right and left of the apse, a vast gathering of pale men and women whose eyes were sad and in whose faces was written the history of their nation. The mighty shafts and pilasters of the Gothic edifice rose like the stems of giant trees in a primeval forest from a dusky undergrowth, spreading out and uniting their stony branches far above in the upper gloom. From the clerestory windows of the nave an uncertain light descended halfway to the depths and seemed to float upon the darkness below as oil upon the water of a well. Over the western entrance the huge fantastic organ bristled with blackened pipes and dusty gilded ornaments of colossal size, like some enormous kingly crown long forgotten in the lumber room of the universe, tarnished and overlaid with the dust of ages. Eastwards, before the rail which separated the high altar from the people, wax torches, so thick that a man might not span one of them with both his hands, were set up at irregular intervals, some taller, some shorter, burning with steady, golden flames, each one surrounded with heavy funeral wreaths, and each having a tablet below it, whereon were set forth in the Bohemian idiom, the names, titles, and qualities of him or her in whose memory it was lighted. Innumerable lamps and tapers before the side altars and under the strange canopied shrines at the bases of the pillars, struggled ineffectually with the gloom, shedding but a few sickly yellow rays upon the pallid faces of the persons nearest to their light..."
The Witch of Prague, by F. Marion Crawford- Published on: 2015-06-27
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .80" w x 7.00" l, 1.35 pounds
- Binding: Paperback
- 352 pages
About the Author biography Marion Crawford lead an unusual life, and wrote about his surroundings. His works included the mystery, romance, history, and travel of the day, which was around 1900. He pioneered techniques in ghost and romance in creating many best-sellers.
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Most helpful customer reviews
16 of 16 people found the following review helpful. Cruel power, cruel powerlessness By Wirkman Virkkala Crawford was an able novelist -- indeed, a very good novelist -- from the 19th century. He was a romanticist, best known for his series of Italian novels, starting with Saracinesca, one of his best books. He also wrote several fantasies, the best of them being Khaled: An Arabian Tale. This book, The Witch of Prague, is far more bizarre, a true work of a prolix and weird imagination. It is certainly not to everybody's taste. Many readers will find the author's tendency to wax eloquent on the culture and mindscape of his time, or the book's place (Prague), a bit tedious. I did not. Crawford may be, by contemporary standards, periphrastic; but by 19th century standards he was the very soul of concision.The characters are by no means realistic: they are romantic, gothic creations. The Wanderer, the central character, has no name throughout the novel; he is simply called The Wanderer. He is searching for his true love, Beatrice. He is captured by Unorna, the witch of the book's title. And he meets a wizard, Keyork Arabian, and Unorna's hapless suitor, Israel Kafka. At one point the witch places a spell on her admirer, using a scene from Czech history, that is so shocking that the author had to place a footnote at the beginning of the chapter to justify the inclusion of the incident. The event is doubly shocking today, since it could be so easily used by anti-Semites; but the author insists the referenced event -- the crucifiction, by his family, of a young Jewish convert to Christianity -- really did happen in the history of the city in question, Prague.The witchcraft of Unorna is mainly that of a super-mesmerism. She can instantly control people, and provide them with a completely altered sense of perception, even reality. But still, with all that power, she cannot have the man she wants. This is the moral heart of the book, and as such it places the book among the higher ranks of fantasy. Power is cruel. But powerlessness seems even more cruel, to her.(Note: this review is based on another edition of this book; I own only 19th century editions of this work, and cannot describe with accuracy the presentation or the included matter in the current edition.)
13 of 14 people found the following review helpful. Victorian Era Horror By Amazon Customer These stories show their age, but are well written and mildly horrific in a staid Victorian way. If you like Saki or M. R. James then you should enjoy these stories ( a novella and several short stories including a horror classic, "The Upper Berth").
2 of 2 people found the following review helpful. Unusual work By David Mills The title is slightly misleading because whether Unorna, the central character, is a really a witch is debatable. She is someone with a strange and difficult past who has mastered hypnotism to the point of mysticism. She uses her powers in collaboration with Keyork Arabian, a researcher of sorts, and for her own gain: an intense love for The Wanderer, who has arrived in Prague searching for a lost love, Beatrice. F. Marion Crawford, a forgotten writer popular a century ago, effectively describes this historic city in its more intriguing and shadowy aspects, even taking us to Prague's ancient Jewish cemetery, where Unorna uses hypnotism to conjure up images to torment her tormented admirer, Israel Kafka. Here, however, is (especially today) the book's major flaw: there is definite anti-semitism in Crawford's description of Bohemian and other Jews, stereotyping them as an avaricious and sometimes vicious race. That his descriptions of the Jewish quarter are well-worded makes all this disappointing (also, perhaps, inaccurate: that area was being razed in the era the book is set in). Crawford often departs from his narrative to dwell on hypnotism, psychology, and the human condition in general. His writing is rather wordy by today's standards, but quite readable. In sum, a notable work in the canon of the unusual.
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